Pump *Confusion / Re-Mover

Genre:

Electronic

Style:

Acid

Year:

Tracklist

Confusion (Pump Reconstruction) 10:23
Confusion (Pump Floatation Mix) 9:12
Re-Mover 10:25
Re-Mover (Fred Remix) 6:59

Credits (2)

Versions

Filter by
    5 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Confusion / Re-Mover, 1995, Vinyl Confusion / Re-Mover
    2×12", 33 ⅓ RPM
    FFRR – 850 043-1 Europe 1995 Europe1995
    Cover of Confusion / Re-Mover, 1995-06-12, CD Confusion / Re-Mover
    CD, Single
    FFRR – FX 260 UK & Europe 1995 UK & Europe1995
    Cover of Confusion Dub / Remover Dub, 1995, Vinyl Confusion Dub / Remover Dub
    12", Limited Edition
    Not On Label (The Pump ) – V2 UK 1995 UK1995
    Recently Edited
    Cover of Confusion / Re-Mover, 1995, Vinyl Confusion / Re-Mover
    2×12", 33 ⅓ RPM, Promo, White Label, Stamped
    FFRR – FX 260 Europe 1995 Europe1995
    New Submission
    Cover of Confusion, , Vinyl Confusion
    12", White Label
    FFRR – FX 260 UK UK
    Recently Edited

    Recommendations

    • Kat Moda EP
      1997 US
      Vinyl —
      12", EP, 33 ⅓ RPM
      Shop
    • The Remixes
      1993 Netherlands
      Vinyl —
      12", 33 ⅓ RPM
      Shop
    • Red Three
      1995 UK
      Vinyl —
      12", 33 ⅓ RPM
      Shop
    • Knights Of The Jaguar EP
      1999 US
      Vinyl —
      12", 33 ⅓ RPM, EP
      Shop
    • Mecca EP
      1993 US
      Vinyl —
      12", 33 ⅓ RPM, EP
      Shop
    • Higher State Of Consciousness
      1995 US
      Vinyl —
      12", 33 ⅓ RPM
      Shop
    • Special Acid Edition
      1995 Netherlands
      Vinyl —
      12", 33 ⅓ RPM, 45 RPM
      Shop
    • Java EP
      1996 US
      Vinyl —
      12", 33 ⅓ RPM, EP
      Shop
    • Red 2 (Remixes)
      1994 Belgium
      Vinyl —
      12", 33 ⅓ RPM
      Shop
    • Force Universelle EP
      1997 US
      Vinyl —
      12", EP, 33 ⅓ RPM
      Shop

    Reviews

    • miccloarch's avatar
      miccloarch
      Edited 5 years ago
      That mediocre movie (Blade) tainted the Confusion remix for people born after 1980, who probably hadn't heard it until they saw the movie (nor have they probably ever heard the original New Order song). The main riff was played so many times on TV, by the time they heard it at clubs it was already somewhat stale. Taken out of that context though, it's nothing but a masterpiece of techno-acid fusion remix that renders the original almost unrecognizable. Re-Mover is pretty sick as well. Just cult.
      • toninAn's avatar
        toninAn
        If you want to sell this, please me. Near mint and mint
        • sianmak's avatar
          sianmak
          Edited 6 years ago
          The greatest remix of all time? Probably. Absolutely gargantuan. Destroys dancefloors. You could plug this record into the National Grid!
          • Braindead's avatar
            Braindead
            For such a classic record, I cannot believe that no-one has commented on this.

            Firstly, there is the A-side. It is a pounding acid monster, a solid 909 kick, with a 303 line. As with most Dan Zamani and Tim Taylor tracks, it builds really slowly, but that is half of its charm. It slowly adds other rhythmic layers, vocoded vocals (from New Order's Confusion), the Confusion sample and a second distorted 303. It breaks down to both 303s and a sound sampled from Dune...sounds basic, but it's extremely twisted, so by the time the kick is back it feels like you can breathe again. This track is made famous by being the track played in the Vampire Rave scene in Blade, and I have to say full marks for whoever picked this track to be played at that moment, they couldn't have picked a more underground track for that time.

            The B-side is a more funky acid version using more of the New Order Confusion vocals, it's not as driving as the A-side though it's still a decent track in its own right.

            The C-side is again another 10m25s master class by Dan Zamani and Tim Taylor on how to deliver a minimal pounding acid monster. Relentless 909 kick, funky 303 bassline, with distorted second 303 over the top (a lot of delay makes this layer bounce around in stereo).

            The D-side is a techno workout from Cari Lekebusch, which is fairly solid enough, but lacks any acidic tweaks.

            In my opinion I think this is a solid double 12", the A and C side tracks being the stand out tracks on here. I think the TB303 and TR909 are two of the world's greatest inventions, and this record is testament to what can be achieved with these machines, and how their sound will dominate any dancefloor.

            Master Release

            Edit Master Release
            Data Correct

            For sale on Discogs

            Sell a copy

            17 copies from €22.25

            Statistics

            • Avg Rating:4.49 / 5
            • Ratings:267

            Videos (8)

            Edit